Philippine Embassy - Tokyo, Japan > Tokyo PE Applauds Filipino Artists Featured in Tokyo Art Gallery

Tokyo PE Applauds Filipino Artists Featured in Tokyo Art Gallery

The Philippine Embassy in Tokyo celebrated the dynamic cardboard structures crafted by Filipino artists Alfredo and Isabel Aquilizan at the Art Front Gallery in Shibuya, Tokyo.

The exhibition, dubbed as “Home/Return 2019,” reuses squashed cardboard from an earlier installation work of the Aquilizan spouses entitled “Whose Place is This?” at the Museum of Tokyo in 2015. As with their previous collaborations, the husband-and-wife team assembled scrap balikbayan boxes into abstract works of art to fill up the open spaces of the gallery.

The sculptural objects for the spouses’ 2015 installation art exhibit in Tokyo have since traveled to Taipei, the Philippines and back to Tokyo where they were reconfigured by the Aquilizan spouses into wall art works.

Midori Tsuboi of the Art Front Gallery shared that when the Aquilizan spouses migrated with their family from the Philippines to Australia in 2006, they placed all their belongings in balikbayan boxes. They eventually up cycled those boxes into works of art which were displayed in a number of galleries across Australia.

Since then, the Aquilizan spouses have together exhibited at the Liverpool Biennale (2010), UAE Sharjah Biennial 11 (2013), Moscow Biennale of Contemporary Art (2013), Venice Biennale (2015), and Setouchi Triennale (2016), among others. In most of their exhibits, the spouses focus on the themes of migration, displacement, change and community which could be traced from their poignant memory of leaving the Philippines and losing their “home” and place of security in 2006.

Cardboard boxes fashioned into houses for the 2015 Tokyo exhibit now take the form of abstract wall assemblages.

In a side room of the gallery, the works of Miguel Aquilizan were featured under the theme “Lost and Found”. Miguel, one of the children of Alfredo and Isabel, transforms accumulated found objects into works of art through an intuitive practice which he calls “object collage”.

The artist is drawn to objects that hold stories of moving across sea and land. He transforms found and used objects into works of art.

Ms. Tsuboi assured Tokyo PE that she would create more opportunities to allow Filipino artists to gradually enter the mainstream art world in Tokyo as a testament to the universal appeal of Philippine art.